Eiji Happo

Eiji Happo (永字八法 or えいじ はっぽう) is a set of techniques in Japanese Calligraphy (adapted from the Eight Principles of Yong in Chinese Calligraphy)  shown by the eight strokes that form the kanji for eternal, or Ei (永). By this notion, these eight strokes (or techniques) are thought of as the basis for writing all kanji characters:

    1. 側 / Soku (side)
    2. 勒 / Roku (bridle)
    3. 努 / Do (strive)
    4. 趯 / Teki (leap)
    5. 策 / Saku (whip)
    6. 掠 / Ryaku (skim)
    7. 啄 / Taku (peck)
    8. 磔 / Taku (split)

Further Reading:

https://www.japanesewiki.com/culture/Eiji%20Happo%20(the%20eight%20basic%20techniques).html

https://en.wikipedia.org/wiki/Eight_Principles_of_Yong

Eight Principles of Yong: Why Beginners Start Here and What Else You Need

Lesson 1: The Eight Principles of Yong

View at Medium.com

View at Medium.com

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The Four Treasures of the Study

The Four Treasures of the Study (文房四寶; ぶんぼうしほう) are the tools needed for Chinese or Japanese calligraphy.

Here are the four treasures written in Kanji (Japanese for Chinese characters) and in Hiragana:

    • paper (紙; かみ)
    • brush (筆; ふで)
    • ink (墨;すみ)
    • ink stone (硯; すずり)

Further Reading:

https://en.wikipedia.org/wiki/Four_Treasures_of_the_Study

https://en.wiktionary.org/wiki/%E6%96%87%E6%88%BF%E5%9B%9B%E5%AE%9D

https://www.youtube.com/@zenmindfulnessshodo/playlists

The Four Treasures, Part 3

View at Medium.com

View at Medium.com

 

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Patrick Geddes and the Notation of Life, V2

Further Reading:

Patrick Geddes and the Notation of Life

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An Eightfold Metaphysics, V2

And again with this one. Maybe these types of diagrams are clearer with a few arrows. We’ll see! Please continue (re-)reading below:

An Eightfold Metaphysics

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The Ancient and the Modern, V2

After creating the diagram for my last post, and appreciating the little arrows, I thought I would redo the diagram for this earlier post. No change in the text, so instead of duplicating the old post, I’ll just post the link to it.

The Ancient and the Modern

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Time’s Second Arrow

Every physics undergraduate (and science buff) learns about the arrow of time: entropy increases, disorder accumulates, the universe runs down. It is the directionality that explains why eggs don’t unscramble and why coffee cools to room temperature rather than the reverse. Robert Hazen and Eric Wong’s book Time’s Second Arrow takes its title from a less determined but no less universal counter-tendency; the fact that, locally and persistently, the universe often builds things up. Stars, planets, minerals, molecules… and even perhaps cells, ecosystems, civilizations: each a pocket of accumulating complexity riding against the entropic tide. The book’s project is to advocate that this “second arrow” be given a law of its own, with the same generality that the Second Law of Thermodynamics gives its First.

Their proposal, building on Nobel laureate Jack Szostak’s notion of functional information, is stated plainly:

The Law of Increasing Functional Information: The functional information of a system will increase (i.e., the system will “evolve”) if many different configurations of the system are subjected to selection for one or more functions.

And later, the law is decomposed into three necessary ingredients. They write that evolving systems are:

(1) formed from numerous interacting building blocks with vast numbers of possible configurations, (2) [subject to] processes [that] generate many of those configurations, and (3) [such that] newly generated configurations are subjected to selection.

It is a clean, minimal, and — to a reader who has spent any time with the architecture of evolutionary thought — strikingly familiar structure. It is essentially Darwin’s three-part braid of variation, generation (or propagation), and selection, lifted out of biology entirely and set down as a law for systems of matter and energy.

I had encountered this same three-part braid before, in Tyler Volk’s Quarks to Culture, which describes what he calls combogenesis — the bottom-up construction of ever-higher levels of organization, from quarks to nucleons to atoms to molecules to cells to societies, each level built from combinations of the elements below it. My post Combogenesis and Evolution discusses Volk’s own three-part formulation: propagation, variation, and (natural) selection.

Hazen and Wong’s law, then, is not merely like Volk’s combogenesis — it is close to a formal restatement of it, with one significant addition: functional information gives the third term, selection, an actual unit of measure. Where Volk and Darwin alike leave “selection” as a qualitative filter, Hazen and Wong propose that we can quantify how much information a selected configuration encodes about the function it was selected for. This is a genuine advance, not just a re-description: it turns a metaphor about fitness into something with a number attached, which it critical for science.

And here is where I think the comparison is valuable, rather than just being a pleasant coincidence of vocabulary. Some years ago I proposed a fourfold model of evolution— generation, variation, speciation, and selection — built by analogy to my notion of Structure-Function  (action, part, structure, function) and, more distantly, to Aristotle’s four causes: efficient, material, formal, and final.

Hazen and Wong’s three ingredients map cleanly onto three of these four terms:

Hazen & Wong Struction-Function “My Evolution” Four Causes
Building blocks, elements Parts Variation Material
Generative
processes
Actions Generation Efficient
Selection for
function
Functions Selection Final
No explicit
term
Structures Speciation Formal

What’s missing is *structure* — the term in my fourfold that corresponds to Aristotle’s formal cause, and in evolutionary biology to speciation: the process by which generated and selected configurations become somewhat stabilized into discrete, separated, and semi-persistent kinds, rather than remaining a single continuously varying population.

This is not a small omission, and I don’t think it’s a flaw in Hazen and Wong’s law so much as a genuinely open question their law surfaces. Variation, generation, and selection together can in principle produce a population in continuous flux — configurations being generated, tested, and culled, endlessly, without ever crystallizing into distinct, bounded kinds. What additionally has to happen for *species* of mineral, or *species* of organism, to exist as separated, namable categories, rather than a smear of intermediate forms? In biology, the answer involves reproductive isolation, geography, genetic incompatibility — barriers that *structure* the space of variation into discrete clusters. Does mineralogy have an analogue to this? Does any sufficiently general law of evolving systems need one?

This is where the book’s most novel empirical move becomes philosophically interesting, and not just scientifically. Hazen and Wong calculate functional information for naturally occurring minerals — a domain where, unlike biology, there is no reproduction, no heredity in any genetic sense, and yet there is unmistakably *selection*: certain atomic configurations are stable under given conditions of temperature, pressure, and chemical environment, and others are not. The configurations that persist are, in their framework, of higher functional information than configurations that don’t.

Minerals make an excellent test case for the law precisely because they strip selection down to something close to its physical bedrock — thermodynamic stability — before the added complications of biological selection (predation, mating, competition) enter the picture. But minerals also, conveniently for my purposes, are organized into a taxonomy of discrete *mineral species* — distinct kinds with sharp boundaries, not a continuum. Quartz is quartz; it is not on a sliding scale toward feldspar. If the Law of Increasing Functional Information is sufficient to explain why mineral diversity increases over geological time, does it also explain why minerals fall into discrete kinds at all, or is that an independent fact about crystal chemistry that the law simply inherits for free?

I don’t have a settled answer. But it’s the kind of question that, once you’ve spent time with a four-term model instead of a three-term one, you can’t help but ask.

Thanks to Claude for help in writing this post (and all the em-dashes).

Further Reading:

Robert Hazen, Eric Wong / Time’s Second Arrow

Tyler Volk / Quarks to Culture

https://en.wikipedia.org/wiki/Functional_information

https://en.wikipedia.org/wiki/Eric_Chaisson

Combogenesis and Evolution

The Theory of Evolution

Structure-Function

 

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Bushido

Bushido was a moral code followed by the Samurai class that arose during the Edo period of Japan. The origins of this ethos are generally agreed to be a syncretism arising from various religious and cultural institutions that were extant during that time. Even though the idea of a set number of principles may be questionable, a modern, formalized list of eight was largely popularized in 1900 by Inazo Nitobe in his controversial book “Bushido: The Soul of Japan”. It argued that Bushido was very similar to the Medieval ethos of Western Chivalry.

Core Sources and Influences:

  • Confucianism: Provided the backbone of the code, emphasizing loyalty to the master, duty, and benevolence.
  • Zen Buddhism: Contributed to self-control, mental discipline, and overcoming the fear of death.
  • Shintoism: Cultivated loyalty to the Emperor and respect for ancestors.
  • Feudal Law (Edo Period): The Tokugawa shogunate formally codified these previously unwritten customs into laws, demanding loyalty and strict conduct from the samurai class.
  • “Hagakure” by Yamamoto Tsunetomo: While not listing  eight principles specifically, this text is a primary source for the samurai mindset, emphasizing the “secret” rule of not fearing death.
  • Inazo Nitobe (“Bushido: The Soul of Japan”): Defines the eight core virtues as the cornerstone of samurai ethics to explain Japanese culture to the West.

The Eight Principles (per Nitobe):

  1. Righteousness/Justice (义, Gi)
  2. Heroic Courage (勇, Yū)
  3. Benevolence/Compassion (仁, Jin)
  4. Respect/Politeness (礼, Rei)
  5. Integrity/Honesty (诚, Makoto)
  6. Honor (名誉, Meiyo)
  7. Duty and Loyalty (忠义, Chūgi)
  8. Self-Control (自制, Jisei)

Further Reading:

https://en.wikipedia.org/wiki/Bushido

https://en.wikipedia.org/wiki/Nitobe_Inaz%C5%8D

Bushido’s Eight Virtues

Bushido: The Soul of Japan

Bushido – Living the Way of the Warrior

View at Medium.com

https://www.tofugu.com/japan/bushido/

https://en.wikipedia.org/wiki/Hagakure

https://en.wikipedia.org/wiki/Bushido:_The_Soul_of_Japan

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The Square of Opposition, V2

Further Reading:

V1, from back a ways: The Square of Opposition

The Artful Geometry of Logic

https://logicalgeometry.org/

https://leonardi.logicalgeometry.org/

A database of Aristotelian and logic diagrams including many recent ones:

https://leonardi.logicalgeometry.org/diagrams

Thanks for the nudge to do this V2 : https://www.etsy.com/listing/1124346541/square-of-opposition-sticker-classical

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Aniara

Epic poetry! Opera! Film! Scores and more!

I saw the 2018 Swedish film Aniara recently (on Kanopy), and it did indeed leave an impression. Although I consider myself a fan of science fiction, I had not heard of Harry Martinson’s original work. As I read more about the story of the story, there were many more things to find to read, view, and contemplate.

Further Reading:

https://en.wikipedia.org/wiki/Aniara

https://en.wikipedia.org/wiki/Harry_Martinson

https://en.wikipedia.org/wiki/Aniara_(film)

Download a pdf of Harry Martinson’s Aniara here:

Click to access aniara.pdf

https://www.ips-planetarium.org/page/a_ottandbroman1988

https://www.centauri-dreams.org/aniara_segment/1-angst-science-fiction-and-our-journey-begins/

Voyage to the End of the Universe: Aniara (2018)

Another essay on the film written during the Covid Pandemic:

View at Medium.com

The opera based on the original text and broadcast on TV:

The epic poem read (with introduction) on video:

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Jurgen Habermas

Further Reading:

https://www.npr.org/2026/03/14/nx-s1-5748043/jurgen-habermas-obituary-dead-96-german-philosopher

https://en.wikipedia.org/wiki/J%C3%BCrgen_Habermas

https://en.wikipedia.org/wiki/Communicative_action

https://en.wikipedia.org/wiki/The_Theory_of_Communicative_Action

Thanks for the inspiration: This image

[*2.41, *3.25, *3.26, *3.27, *5.54]

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Every Fourth Thing